Almost a year after the (still on-going) occupation of the Teatro Valle in Rome, on 5 May Milan bridged the gap with MACAO, which is what the Lavoratori dell’Arte (art workers), a group of self-proclaimed ‘contemporary operators’ labelled the cultural…
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Pauline Oliveros sits on stage in the Starr Auditorium at Tate Modern, exuding an air of serene consideration.
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As I sat in Los Angeles’ Cinefamily theatre the other week watching The Turin Horse (2011), the Hungarian auteur Béla Tarr’s self-proclaimed ‘last film,’ I found myself marveling at how it was possible that I was able to see this…
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