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From Raqs Media Collective to Kapwani Kiwanga five respondents discuss the projects that have informed their thinking around decoloniality

Iowa, 1966. Courtesy: Ngug1i wa Thiong’o

How monolingualism is the carbon monoxide of culture

The beasts in the artist’s One or Several Tigers lead us into the tangled thickets of identity and religious ritual

Bernardo Bertolucci, The Last Emperor, 1987, film still. Courtesy: Visual Icon

The power of visibility: on postcolonial seeing and being seen

How is contemporary Aboriginal art challenging an exclusive historical canon?

Things to chew over: In the Absence of Our Mothers makes histories of displacement uncomfortably felt

From Julieta González to Simon Njami, five artists, curators and writers discuss the projects that have informed their thinking around decolonizing

Ryan Coogler, Black Panther, 2018, film stills. Courtesy: Marvel Studios

Have institutions facing calls to decolonize forgotten that ‘to curate’ originally meant ‘to care for’?

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

Cameron Rowland, Jim Crow, 2017, Jim Crow rail bender, 91.4 x 20 x 44 cm. Rental

The spectral presence of prisoners in everyday commodities 

Artists, curators and writers discuss the projects that have informed their thinking around decolonizing culture

Theo Eshetu, Atlas Fractured, 2017, still from video projected on a banner as part of documenta 14, Kassel, 2017. Courtesy: the artist and Tiwani Contemporary, London

On sonic trajectories and resistance

Video

frieze video - 16 Nov 2018

The Throbbing Gristle member and multimedia artist discusses a beloved instrument which has become a lifelong companion

Frieze Academy - 09 Nov 2018

Watch highlights – with Kim Jones, Campbell Addy, Juno Calypso, Michel Gaubert, Tim Blanks and Julie Verhoeven – from Frieze Academy's first Art & Fashion summit in partnership with matchesfashion.com

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