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Influences

On the eve of his two retrospectives in Paris, the artist discusses the works that have shaped his practice and thinking

By Roee Rosen
James Holden, Solstice/I Have Put Out the Light, 2002. Courtesy: Silver Planet

The artist reflects on the sounds that have shaped their thinking

By Evan Ifekoya

‘Her oeuvre was a radical departure and fiery negation of the masculine art-making that was prominent in the 1970s’

By Wangechi Mutu

‘Eichwald often reveals her journey through her direct, yet humorous and heady titles’

By Nairy Baghramian

‘I remember being hit by the odour of smoke and the soft, hazy light bathing the enormous space of the abandoned factory’

By İpek Duben

‘Green’s installation doesn’t exist to serve as evidence of well-established narratives’

By Iman Issa

‘Fragments of improvized poetry came together and devoured one another’

By Fatma Bucak

‘She has such authority in her tangled daubs and streaks’

By Marilyn Minter

‘I love the sense of compulsion and joy present in this painting’

By Zoe Williams
 Child’s dress, Greenland, mid-14th century, wool. Courtesy: Nationalmuseet, Copenhagen

‘The fact that it was most likely made with recycled fabric touches me immensely’

By Sheila Hicks

‘I have learned from John that you don’t need to shout in order to make an impact’

By Celia Paul

‘When her mother died, she stopped talking. What is there to say when all is lost?’

By Rosalyn Drexler

Video

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The Throbbing Gristle member and multimedia artist discusses a beloved instrument which has become a lifelong companion

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Watch highlights – with Kim Jones, Campbell Addy, Juno Calypso, Michel Gaubert, Tim Blanks and Julie Verhoeven – from Frieze Academy's first Art & Fashion summit in partnership with matchesfashion.com

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