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Opinion

Her lyrical, haunting novel Celestial Bodies exposes the global forces that preclude literary value from flowing in both directions

By Sarah Jilani

In Toronto’s CONTACT Festival, works by Moyra Davey, Beatrice Gibson, Carmen Winant and others layer personal histories with poetry, politics and mysticism

By Jill Glessing

The Korean director’s win marks a return to the expected, after years of films with mixed critical and populist support taking the top prize

By Charles Bramesco

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

By Mike Pepi

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

By Stanton Taylor

From Marina Abramović to extinct tropical birds, seeing more than what’s there

By Matthew McLean

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

By En Liang Khong

By Natasha Ginwala with contributions from Abdul Halik Azeez (@Colombedouin), Muvindu Binoy, Sandev Handy, We Are From Here, Imaad Majeed and Pushpakanthan Pakkiyarajah

By Natasha Ginwala
Mariko Mori, Tea Ceremony I, 1994. Courtesy: Sean Kelly, New York and SCAI the Bathhouse, Tokyo

How cyborg identities have empowered women to challenge societal norms

By Yae-Jin Ha
Edward Kienholz, The Eleventh Hour Final, 1968, multi-media. Copyright Kienholz. Courtesy: © the artist and L.A. Louver, Venice, CA

‘Past is prologue’ in two shows at the Smithsonian American Art Museum, following the 50th anniversary of the Tet Offensive

By Ian Bourland

A new book by Jay David Bolter chronicles the demise of cultural gatekeeping

By Houman Barekat

The collateral exhibitions at the 58th Venice Biennale tackle social issues from class to surveillance

By Sean Burns

Video

spo - 11 Jun 2019

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frieze video - 04 Jun 2019

The artist takes us on a tour of her pavilion

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