Bruce Nauman

A retrospective survey at MoMA and MoMA PS1, New York, considers how Nauman stretches language, to demonstrate how it, in turn, moulds us

By Che Gossett

The Berlin-based artist Veit Laurent Kurz shares his favourite shows of the year

By Veit Laurent Kurz

New York

21 Oct
25 Feb
Valeska Soares,  Finale, 2013, antique table, glasses,  pitchers, decanters, alcohol and mirror,  79 × 335 × 92 cm. Courtesy: the artist, Cisneros Fontanals Art Foundation, Miami, Alexander Gray Associates, New York and Fortes D’Aloia & Gabriel, São Paull

The artist discusses the objects, ideas and artworks that have shaped her practice

By Evan Moffitt and Valeska Soares

Basel

17 Mar
26 Aug
Visitors arrive at Frieze New York 2018. Photo: Mark Blower. Courtesy: Mark Blower/Frieze

Talks, sound works, processions and the twentieth century masterpieces - start the weekend at Frieze

New York

13 Nov
15 Dec

The co-founder of print workshop Gemini G.E.L. talks about the evolution of the iconic institution

By Evan Moffitt

With her Whitechapel show opening today in London, Mary Heilmann talks about studying in California, ‘home arts’ and surfing

By Amy Sherlock

Musée d’art moderne de la ville de Paris, France

By Lauren Elkin
Bruce Nauman, Pay Attention, 1973,  lithograph, 97 × 71 cm. Courtesy: the artist, Sperone  Westwater, New York, and DACS, London

In an age of perpetual distraction, how might institutions slow down and refocus the way we look at art?

By Anthony Huberman