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Colin Siyuan Chinnery

‘Over the radio, he asked listeners a simple question: what is your favourite sound of Beijing?’

By Colin Siyuan Chinnery

Following government plans for a greener less-crowded capital, artists are finding themselves squeezed out 

By Colin Siyuan Chinnery
Inga Svala Thorsdottir & Wu Shanzhuan, Enclosure, 2017, Black iron, red oak with matte varnish black iron adapting piece, 116 x 112 x 8 cm (artwork), 97 x 156 x 72 cm (plinth). Courtesy: Long March Space, Beijing; photograph: Thomas Fuesser 
 

Long March Space, Beijing, China

By Colin Siyuan Chinnery

Colin Siyuan Chinnery considers the development of China’s non-profit sector and its relationship with the international art scene

By Colin Siyuan Chinnery

In the first of a two-part series charting the internationalization of the Chinese art world, Colin Siyuan Chinnery considers the commercial sector

By Colin Siyuan Chinnery

The rise of Shanghai and the sad passing of Chen Shaoxiong

By Colin Siyuan Chinnery

Despite years of sexual inequality in China a positive gender-shift seems to be taking place in the art world

By Colin Siyuan Chinnery
MadeIn Company, Inventing Ritual, 2015, performance documentation, PIMO Contemporary Art Festival, Shanghai

PIMO Contemporary Art Festival, Shanghai, China

By Colin Siyuan Chinnery
Zhuang Hui, Zhuang Hui Solo Exhibition (detail), photograph, 81 × 113 cm

Platform China, Beijing, China

By Colin Siyuan Chinnery
Li Songsong, One Man, 2012, aluminium, steel, LEDs, oil paint, 3.2 × 2.9 × 120 m

Today Art Museum, Beijing, China

By Colin Siyuan Chinnery
Ai Weiwei, Surveillance Camera, 2010, marble, installation view

Martin-Gropius-Bau, Berlin, Germany

By Colin Siyuan Chinnery
Faith, 2012, polyurethane foam, 200 × 120 × 90 cm. Courtesy: the artist and MadeIn Company

Xu Zhen and his cultural production organization, MadeIn Company

Chinese Translation

By Colin Siyuan Chinnery