Daniela Stöppel

A retrospective at Munich’s Museum Brandhorst charts the artist’s career from the 1980s to the present, from ‘fem-trash’ figures to abstract forms

By Daniela Stöppel
‘After the Fact. Propaganda in the 21st Century’, 2017, installation view, Lenbachhaus. Courtesy: Lenbachhaus, Munich

Lenbachhaus, Munich, Germany

By Daniela Stöppel
Stephan Janitsky, P.o.W. (clean/dirty), 2017, oil and pastels on canvas, site specific. Courtesy: the artist and Prince of Wales, Munich

Prince of Wales, Munich, Germany

By Daniela Stöppel