A new show at Collective, Edinburgh, makes poetry of physical actions

By Chris Sharratt

After a five-year redevelopment of the landmark heritage site on Calton Hill, who will this ‘new kind of observatory’ be for?

By Chris Sharratt
Andrew Cranston: But the dream had no sound - Ingleby gallery


27 Oct
21 Dec

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

By Stewart Smith

Jostling with its loud festival neighbours, the UK’s best attended annual visual art festival conducts a polyphonic debate with art of the past

By Tom Jeffreys

As the Scottish sculpture park celebrates its tenth anniversary, Amy Sherlock talks to its founder Nicky Wilson

By Amy Sherlock

The poet on the ‘strange portability’ of life on the road 

By Elaine Kahn

Four miles west of the city, Jupiter Artland marks its 10th anniversary with a new commission by Phyllida Barlow

By Tom Jeffreys
Callum Innes, Exposed Painting Paris Blue, 2018


12 May
14 Jul
Kate Davis, ‘Nudes Never Wear Glasses’, 2017, installation view, Stills Gallery, Edinburgh. Courtesy: Stills Gallery, Edinburgh

Stills Gallery, Edinburgh, UK

By Hettie Judah

From an inflatable anti-capitalist dragon to the shattered shadow of Robert Burns: highlights from this year’s Edinburgh Art Festival

By En Liang Khong


29 Jul
29 Oct