Edinburgh

A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers

By Chris Sharratt
Samson Young, Muted Situation #22: Muted Tchaikovsky’s 5th, 2018, video and 12 channels sound installation. Courtesy: © the artist

Edinburgh

24 Jul
5 Oct
Janet Cardiff and George Bures Miller, Night Walk for Edinburgh, 2019, installation view. Courtesy: the artists and Fruitmarket Gallery, Edinburgh 

Edinburgh

25 Jul
25 Aug
Corin Sworn, Polarity Boxing, 2017, video still. Courtesy: the artist; photograph: Margaret Salmon

Edinburgh

25 Jul
25 Aug
Hanna Tuulikki, Deer Dancer, film still. Courtesy: the artist and Edinburgh Printmakers

Edinburgh

28 Jul
6 Oct
Portrait of Trisha Brown, photograph. Courtesy: Jupiter Artland

Edinburgh

27 Jul
29 Sep
Ithell Colquhoun, Gorgon, 1946, oil on board. Courtesy: © The Noise Abatement Society, The Samaritans and Spire Healthcare.jpg

Edinburgh

25 Jul
14 Sep
James Richards, Migratory Motor Complex, six channel audio installation, 2017. Courtesy: the artist and Wales in Venice; photograph: Mark Blower

Edinburgh

26 Jul
13 Oct

A new show at Collective, Edinburgh, makes poetry of physical actions

By Chris Sharratt

After a five-year redevelopment of the landmark heritage site on Calton Hill, who will this ‘new kind of observatory’ be for?

By Chris Sharratt
Andrew Cranston: But the dream had no sound - Ingleby gallery

Edinburgh

27 Oct
21 Dec

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

By Stewart Smith