Hito Steyerl

Playlist - 09 Jul 2015

Pavrov Stelar's Phantom to ASMR Art Curator Roleplay

Joan Jonas, They Come to Us without a Word, 2015, production still, installed in the US pavilion

56th Venice Biennale, various venues, Italy

By Jennifer Higgie
Hito Steyerl 'Factory of the Sun' (2015) film still; courtesy: the artist; photograph: Manuel Reinartz

If exit polls are to be believed (and the recent UK elections have sadly shown they should be) the main show of this year's 56th Venice Biennale is a flop.

By Paul Teasdale
Shelving for Unlocked Matter, and Open Problems, 2013, installation view

Museu Colecção Berardo, Lisbon, Portugal

By Joana Neves
USAF 1951 Resolving Power Test Target, 1951. Courtesy: Hito Steyerl and Leon Kahane

Q. If you could live with only one piece of art, what would it be? A. Why should I live with an art work?

By Hito Steyerl
Hito Steyerl, How Not To Be Seen: A Fucking Didactic Educational .MOV File, 2013, HD video still. Courtesy: the artist

The 55th Venice Biennale

By Jörg Heiser
Omer Fast, Nostalgia, 2009, DVD still. Courtesy: the artist, gb agency, Paris and Arratia Beer, Berlin; photograph: Theirry Bal.

How artists visualize political reality through the artifice of fiction

By Katie Kitamura

A round table discussion led by Jörg Heiser on ‘super-hybridity’: what is it and should we be worried? With Ronald Jones, Nina Power, Seth Price, Sukhdev Sandhu and Hito Steyerl

By Jörg Heiser

Neuer Berliner Kunstverein, Germany

By Anna Altman

Keeping fit, autonomy, disappointment and art criticism

By Tirdad Zolghadr
Still from Morgan Fisher, Standard Gauge (1984). Courtesy: the artist

How do we talk about images after the demise of representation?