Keller Easterling

Keller Easterling, MANY,  2019, installation shot. Courtesy: Wrightwood 659, the School of the Art Institute of Chicago and the University of Chicago; photograph: © Tom Harris

Following her fellowship grant from United States Artists and an exhibition at Wrightwood 659, the designer and theorist discusses solutions to right-wing immigration policies and neoliberal econom

By Evan Moffitt and Keller Easterling
FAT, The Villa, Hoogvliet, the Netherlands (2008)

Fierce jeremiads, ‘pseudomodernism’, the positive effects of the financial crisis, nostalgia and the tallest structure in the world

By Owen Hatherley and Shumon Basar