Maria Lassnig

With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism

By Mitch Speed

‘I started to read Mayröcker’s work obsessively. She became one of the few writers whose every written word I have read’

By Hans Ulrich Obrist
© Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologn

Munich

21 May
15 Sep

Bolzano/Bozen

3 Feb
6 May

New York

1 Feb
18 Jun

Maria Lassnig, Two Ways of Being (Double Self-Portrait), 2000 

By Celia Hempton

A guide to the best of the current and soon-to-open shows in London

By Orit Gat

Maria Balshaw to become new Tate director; exhibitors list announced for Frieze New York 2017; Labour MP to direct the V&A Museum

Lilla Cabot Perry, The Black Hat, 1914, oil on canvas, 128 × 92 cm. Courtesy: Currier Museum of Art, Manchester, New Hampshire

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists. What’s driving this wave of rediscoveries?

By Kaelen Wilson-Goldie

Cheim & Read, New York, USA

By Katie Kitamura
Mark Bradford, Help Us (2008)

Carnegie Museum of Art, Pittsburgh, USA

By Jörg Heiser

Maria Lassnig in conversation with frieze co-editor Jörg Heiser

By Jörg Heiser