Matthew McLean

Harumi Yamaguchi, 2017, installation view, Project Native Informant. Courtesy: Project Native Informant, London

Project Native Informant, London, UK

By Matthew McLean
Hilary Lloyd, exhibition view of 'Awful Girls', 2017. Courtesy:Temple Bar Gallery, Ireland and Dorich House Museum (Kingston University London); photograph: Ellie Laycock

Temple Bar Gallery, Dublin, Ireland & Dorich House Museum, Kingston upon Thames, UK

By Matthew McLean

Emily Witt's latest book offers a new approach to sexology 

By Matthew McLean

The Hepworth Wakefield, UK

By Matthew McLean

A report from 'Inside', an Artangel project staged in the Reading prison that once held Oscar Wilde

By Matthew McLean

Collapse and rebirth in the sculptures and performances of Naufus Ramírez-Figueroa

By Matthew McLean

Herald St, London, UK

By Matthew McLean
Lukas Duwenhögger, Perusal of Ill-Begotten Treasures, 2003, oil on canvas, 1.1 × 1.9  cm

Raven Row, London
 

By Matthew McLean

Andrea Rosen Gallery, New York, Hauser & Wirth, London, and Massimo de Carlo, Milan

By Matthew McLean

A new one-night-only contemporary arts festival in London

By Matthew McLean

42 Carlton Place, Glasgow, Scotland

By Matthew McLean
Alexandre da Cunha, Free Fall I, 2016, flagpole, parachute, rope, 3.8 × 2.6 × 7.2 m. Courtesy: the artist and Thomas Dane Gallery, London, UK

Thomas Dane Gallery, London, UK

By Matthew McLean