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Review

Kent Monkman, The Daddies, 2016, acrylic on canvas. Courtesy: Musée McCord, Montreal

In a solo show at the McCord Museum, Montreal, the Cree artist’s alter ego, Miss Chief Eagle Testickle, confronts the horrors of Canadian history

By Georgia Phillips-Amos

A tactile show in Berlin of the California-based painter refreshes colour-field abstraction for our digital age of infinite screen time

By Louisa Elderton

A retrospective at Kiran Nadar Museum of Art, New Delhi, showcases the forms and themes that underpin the artist’s singular career

By Skye Arundhati Thomas

The second iteration of this dynamic biennial is a mix of poignant reflection and feverish energy 

By Sophie Knezic

An exhibition at Peres Projects, Berlin, shows how society’s attitudes to sex have changed throughout the 86-year-old artist’s career

By Chloe Stead

The artist’s sculptures turn urban detritus into natural-looking forms  

By Ingrid Chu

In a show at Kasmin Gallery, New York, size reveals not the late painter’s ego, but rather his belief in personal engagement 

By Matthew Holman

A glance at Gagliardi’s new paintings at Brussels’s Rodolphe Janssen Gallery

By Ellen Mara De Wachter

The artist’s new show at White Cube combines structuralist filmmaking with the Green Cross Code, to dazzling effect

By Thomas McMullan

Ancestral knowledge and utopian thinking lend power to a sometimes uneven exhibition 

By Jonathan Griffin

In a lively group show at Petzel Gallery, the late Danish artist’s irreverent ‘modification paintings’ are presented alongside some of the many works they later inspired 

By Ara H. Merjian

A survey at Kestnergesellschaft, Hannover, shows an artist in constant dialogue with the world 

By Oliver Osborne