Saim Demircan

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

By Saim Demircan

An exhibition at Galerie Barbara Weiss, Berlin, transports Sebastián Lelio’s award-winning film Una mujer fantástica into the gallery space

By Saim Demircan

Spectral lone female figures pose and recline in a series of nebulous paintings on view at Galerie Rüdiger Schöttle, Munich

By Saim Demircan

Angst und Arbeit

By Saim Demircan
Wolfgang Tillmans, EU Poster campaign, 2016. Courtesy: the artist and Between Bridges, Berlin

Wolfgang Tillmans has launched a pro-EU poster campaign. Should more UK cultural institutions be speaking out?

By Saim Demircan
Margaret Raspé, Gelb, Rot und Blau Entgegen, (Towards Yellow, Red and Blue, 1983). Courtesy: Florida, Munich; photograph: Vincent Trasov

The printed page as exhibition space

By Saim Demircan
New Noveta, NO NAHADOU with DJ Aridtrax. Performance during the opening of Sidsel Meineche Hansen’s ‘No Right Way 2 Cum’, Transmission, Glasgow. Courtesy: New Noveta

Could this viscerality, this hysteria, be political?

By Saim Demircan

Künstliche Welten, biologische Drogen

By Saim Demircan