Suzanne Lacy

A two-part survey of the artist’s work at the San Francisco Museum of Modern Art and Yerba Buena Center for the Arts foregrounds dialogue as a radical political act

By Liz Hirsch

Presented with the Los Angeles County Arts Commission 

Los Angeles

15 Feb
Suzanne Lacy, Fusion, 2016, performance documentation, Brierfield Mill, Pendle, UK. As part of ‘Shapes of Water - Sounds of Hope’. Commissioned by Super Slow Way; photograph: Chris Payne

A report from the culmination of Suzanne Lacy’s 18-month project at Brierfield Mill, Lancashire

By Laura Robertson

40 years of activism, education and ‘new genre public art’, in conversation with Nato Thompson